{"id":804,"date":"2015-11-05T13:20:01","date_gmt":"2015-11-05T13:20:01","guid":{"rendered":"http:\/\/ifbarcelona.cat\/?p=804"},"modified":"2015-11-24T23:17:29","modified_gmt":"2015-11-24T23:17:29","slug":"marina-nabais-ballarina-i-marioneta","status":"publish","type":"post","link":"https:\/\/ifbarcelona.cat\/en\/marina-nabais-ballarina-i-marioneta\/","title":{"rendered":"(CAT) Marina Nabais, ballarina i marioneta"},"content":{"rendered":"

Sorry, this entry is only available in CAT<\/a>.<\/p>

Un cop estrenat, en prim\u00edcia, l\u2019espectacle De seda<\/em>, de la ballarina i core\u00f2grafa portuguesa Marina Nabais, ja podem dir que \u00e9s un muntage conceptualment ambici\u00f3s. Amb aquesta obra, vam encetar les actuacions d\u2019artistes internacionals del Festival IF, que va comen\u00e7ar amb la reedici\u00f3 d\u2019Oh l\u00e0 l\u00e0!, la marionnette<\/em>, de Joan Baixas. Nabais afegix una nova experi\u00e8ncia a l\u2019exploraci\u00f3 de territoris lim\u00edtrofs entre el cos hum\u00e0 i el titella, la figura i l\u2019abstraci\u00f3, el moviment i la instrumentaci\u00f3, i se situa, per tant, en una l\u00ednia de recerca esc\u00e8nica rabiosament contempor\u00e0nia.<\/p>\n

Marina Nabais:<\/strong> La idea original ve d\u2019una necessitat, la necessitat de crear un so a partir del moviment. Aquest moviment, jo el veia representat en el fil, i aix\u00f2 em va portar a fer servir els fils de nil\u00f3 com a material coreogr\u00e0fic. Perqu\u00e8 hi va haver un moment en qu\u00e8 em vaig adonar que el que feia el fil era, principalment, generar un espai, abans que un so.<\/p>\n

IF:<\/strong> Sembla que et moguis dins d\u2019un gran instrument musical\u2026<\/p>\n

MN:<\/strong> S\u00ed. Faig servir sis fils per motius estrictament pr\u00e0ctics, per\u00f2 inevitablement recorda una guitarra. Per tant, tamb\u00e9 jugo amb la idea d\u2019estar tocant un instrument. El fet que estiguin tensats d\u2019esquerra a dreta i de dalt a baix, en diagonal, genera una tensi\u00f3 molt interessant.<\/p>\n

\"Marina

Ahir, durant la inauguraci\u00f3 d’IF Barcelona a Arts Santa M\u00f2nica. Foto d’Aina Bujosa.<\/p><\/div>\n

IF:<\/strong> Quin significat t\u00e9, per a tu, el fil?<\/p>\n

MN:<\/strong> Un cop dibuixat l\u2019espai, pot significar moltes coses. S\u00f3n les l\u00ednies de la vida, que t\u2019indiquen una direcci\u00f3. D\u2019alguna manera fan de guia. Per\u00f2 tamb\u00e9 \u00e9s la seda que teixeix el cuc, de manera que \u00e9s un mateix qui fabrica aquests fils. I tamb\u00e9 \u00e9s una teranyina, perqu\u00e8 un cop tra\u00e7ades les l\u00ednies, en certa manera, hi quedes atrapat.<\/p>\n

IF:<\/strong> \u00c9s aix\u00ed com aquesta escenografia gaireb\u00e9 invisible condiciona la coreografia?<\/p>\n

MN:<\/strong> S\u00ed, jo provoco el moviment, per\u00f2 el fil tamb\u00e9 fa que jo em mogui d\u2019una determinada manera. Puc seguir la direcci\u00f3 tra\u00e7ada o puc intentar passar de trav\u00e9s. En un cas em fa de guia, en l\u2019altre \u00e9s una barrera, i els sons que genera s\u00f3n molt diferents si em moc d\u2019una manera o d\u2019una altra. En realitat, \u00e9s com els camins de la vida: un s\u2019esfor\u00e7a per construir-se un cam\u00ed i despr\u00e9s aquest mateix cam\u00ed et condiciona, i potser no \u00e9s f\u00e0cil canviar de direcci\u00f3 un cop ja l\u2019has empr\u00e8s.<\/p>\n

\"Marina

Foto de Giulia Poltronieri.<\/p><\/div>\n

IF:<\/strong> En algun moment sembla que et converteixis en marioneta.<\/p>\n

MN:<\/strong> \u00c9s per aix\u00f2, perqu\u00e8 el cos es mou seguint aquestes l\u00ednies que de vegades ens tracem nosaltres mateixos. Aquesta coreografia t\u00e9 una forta c\u00e0rrega metaf\u00f2rica. S\u2019hi creen, en forma abstracta, moltes hist\u00f2ries possibles.<\/p>\n

IF:<\/strong> Un tr\u00e0nsit?<\/p>\n

MN:<\/strong> S\u00ed, una metamorfosi. D\u2019alguna manera, a De seda<\/em> hi ha la mutaci\u00f3 de l\u2019eruga en capoll i l\u2019eclosi\u00f3 i vida de la papallona. Hi ha cont\u00ednuament la idea de canvi, de transformaci\u00f3 del cos dins d\u2019aquest laberint invisible que genera unes tensions que es poden sentir i percebre.<\/p>","protected":false},"excerpt":{"rendered":"

Sorry, this entry is only available in CAT.Un cop estrenat, en prim\u00edcia, l\u2019espectacle De seda, de la ballarina i core\u00f2grafa portuguesa Marina Nabais, ja podem dir que \u00e9s un muntage conceptualment ambici\u00f3s. Amb aquesta obra, vam encetar les actuacions d\u2019artistes internacionals del Festival IF, que va comen\u00e7ar amb la reedici\u00f3 d\u2019Oh l\u00e0 l\u00e0!, la marionnette, […]<\/p>\n","protected":false},"author":1,"featured_media":708,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-804","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general"],"acf":[],"yoast_head":"\n(CAT) Marina Nabais, ballarina i marioneta – IF Barcelona<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ifbarcelona.cat\/en\/marina-nabais-ballarina-i-marioneta\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"(CAT) Marina Nabais, ballarina i marioneta – IF Barcelona\" \/>\n<meta property=\"og:description\" content=\"Sorry, this entry is only available in CAT.Un cop estrenat, en prim\u00edcia, l\u2019espectacle De seda, de la ballarina i core\u00f2grafa portuguesa Marina Nabais, ja podem dir que \u00e9s un muntage conceptualment ambici\u00f3s. 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