With A Mans Lliures, Toni Rumbau concludes his Hands Trilogy, begun with A Dues Mans (1987) and continued with A Mans Plenes (2009). This is a solo performance of shadows and puppets, born from dialogue with the previous works, revisiting and reformulating them to close the cycle with a… Continua llegint

She is a puppeteer, he is a musician, and in their cabaret, life and death are at stake. With the poetics of burlesque and cabaret, La Pendue confronts the audience with death through a dramaturgy structured like a Russian doll: within the life of the old lady beats the… Continua llegint