TALK ‘FOLLOW YOUR BLISS: CREATING A SHOW THROUGH PHYSICAL EXPERIMENTATION’, led by André-Anne LeBlanc, from SNAFU.
A conversation about performing arts creation through experimentation, play and error, guided by curiosity, humour, joy and the pleasure of creating.
EL GEST COMPARTIT (MEDIATION PROJECT OPENING), by CAP Les Hortes / Poble-Sec and Font de la Guatlla Social Services / La Comunitària / IF Barcelona
A project with caregivers that combines trencadís, performance and object theatre in a community-based creative experience.
EPIDERMIS CIRCUS, by SNAFU
Using everyday objects, a camera and their hands, SNAFU creates a surreal, zany variety show film live, full of unexpected characters.
DIRTY, by Juan Domínguez
What do I hear when I touch? What do I touch when I listen? Touching clay becomes a shared experience that invites us to listen with our hands and discover other ways of perceiving.
I WANT TO LOOK INTO THE CRATER OF A VOLCANO WHEN IT IS ABOUT TO ERUPT, by Javiera Gazitua
The volcano guides an immersive experience of light, music and voice that invites us to delve into the latency of events, desire and human transformations.
EL TEMPS A TRAVÉS D’UN FORAT, by Aina Roca Mora
Three spaces recreated as scale models offer a delicate, playful exploration of memory and the ability of everyday spaces to spark the imagination.
OPENING OF THE DENTAL POEMS LABORATORY, by Javier Mansilla
Javier Mansilla presents a participatory installation in the theatre foyer that brings artistic research closer to the public.
ANTIPODI, by Compagnia Dromosofista
A vehicle transformed into a stage hosts a dreamlike journey combining puppetry, shadows, physical theatre and live music, populated by ambiguous figures and poetic worlds.
UN DÍA DE VEINTICINCO HORAS, by AzkonaToloza & amigues
Somewhere between a durational performance, a press conference and a premiere, AzkonaToloza & amigues invite audiences to spend twenty-five hours getting to know their upcoming piece, 'Entre Océanos y mares'
APPEAR-DISAPPEAR, by Mila Ercoli
An exploration of light, crystals and perception, in a visual play between what becomes visible and what disappears.
UNA IDEA INACABADA, by Taller Placer
13, 14, 15 nov | 19:30 h (Sunday at 12:00) |
Centre de les Arts Lliures - Fundació Joan Brossa (BCN) |
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Inside the scale model of Valencia’s Teatro Rialto, objects raise questions about memory, perception and what we choose to look at or leave out.
TEIXIDORES 2026. INTERNACIONAL PRO GATHERING. Otherness as a Form of Complicity
12 to 15 nov |
Fundació SGAE (BCN)Centre de les Arts Lliures - Fundació Joan Brossa (BCN)Institut Ramon LlullTeatre L'Artesà (El Prat de Llobregat)Antic Teatre (Barcelona) |
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IF Barcelona’s PRO event: a professional programme featuring industry sessions and parallel activities, including visits to creation and performance venues and attendance at shows.
ALUSINASONS, by Jaume Clotet
Jaume Clotet turns the deliriums of his alter ego into an irreverent performance-concert that explores partying and alcohol consumption through humour and parody.
MAPA CANÍBAL, de Maria Camila Sanjinés
An edible cartography invites the audience to literally consume a territory and reflect on food, cultural identity and colonisation.
WORKSHOP THE OBJECT IN ACTION, by Timoteo, Tommaso and Rugiada Grignani (Cia. Dromosofista)
16, 17 | From 16 h to 20 h |
MIT Museu Internacional del Titella a Catalunya - Teia Moner (Palau-solità i Plegamans) |
INSCRIPCIONS |
A workshop with Compagnia Dromosofista to explore the expressive freedom and poetic potential of everyday objects through the body, movement, play and music.
RECREATIVOS FEDERICO, by Alex Peña
17, 18, 19, 20, 21, 22 nov | During the centre’s opening hours |
Centre de les Arts Lliures - Fundació Joan Brossa (BCN) |
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Seven arcade machines transform Federico García Lorca’s universe into a game of humour, poetry and a critique of the commercialisation of artistic heritage.
JRAP À POIL (adaptation), de Xavier Michel
A series of absurd, poetic actions with everyday objects challenge theatrical conventions and the meaning of what we see.
IL TERZO REICH (EL TERCER REICH), by Romeo Castellucci
19, 20, 21 nov | 17 h, 19 h, 21 h |
Centre de les Arts Lliures - Fundació Joan Brossa (BCN) |
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Romeo Castellucci subjects language to a visual and sonic experience that interrogates the power of words and images.
GHOST IN THE MACHINE, by Karla Kracht
Drawing, video, objects and technology imagine the rituals of a future in which artificial intelligence attempts to interpret humanity’s legacy.
CATERINA, by La Dona Calba
A grandmother lets go of the objects accumulated over a lifetime and embarks on an intimate journey through memory, accompanied by puppetry and live music.
INTERNATIONAL GLOVE PUPPET DAY: FROM TRADITION TO CONTEMPORANEITY. Mediation and curation by Toni Rumbau
A day bringing tradition and contemporary approaches to glove puppetry into dialogue through two international works.
EMERGING STILL, by Francisco Camacho and Kotomi Nishiwaki
Two bodies transform a shared space into a dance of gestures, materials and colours, exploring perception and our relationship with others.
SE NECESITA UN PANTALÓN, de Víctor Colmenero Mir
26, 27, 28, 29 nov | 19:30 h (12 h Sunday) |
Centre de les Arts Lliures - Fundació Joan Brossa (BCN) |
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Based on an unpublished text by Ramón Gómez de la Serna, a puppet story explores childhood, representation and the learning of violence.
LIFE AND DEATH OF DR. FAUSTUS, by Colectivo Patillas Black
A puppet-theatre adaptation of Christopher Marlowe’s 'Doctor Faustus', in which a pact with the devil becomes an existential journey filled with absurd humour and grotesque characters.
SI FUERA UNA PELÍCULA, de Macarena Recuerda Shepherd
Film sound transforms images and creates a theatrical interplay between fiction, humour and what seems real.
CREATIVE WORKSHOP: FOLEY AND SOUNDSCAPE, by Macarena Recuerda Shepherd
A participatory workshop for children aged 6–9 (and intergenerational groups) to discover how the sounds of stories and film scenes are created.
ELK, by Sònia Gómez
Sònia Gómez brings the moving body into dialogue with clay, wool, cork and other materials, exploring their energetic and performative properties.
POESIA VISUAL CULINÀRIA, by David Ymbernon
David Ymbernon turns the preparation of a meal into an act of visual poetry, where cooking, magic and objects challenge appearances.